This site lets users to execute full-text queries to search Google's C4 Dataset. Our hope is this will help ML practitioners better understand its contents, so that they're aware of the potential biases and issues that may be inherited via it's use.
The dataset is released under the terms of ODC-BY. By using this, you are also bound by the Common Crawl Terms of Use in respect of the content contained in the dataset.
You can read more about the supported query syntax
here
. Each record has two fields, url
and text
, both of
which are searchable. The fields are indexed using the
Standard analyzer,
which means you can't search for punctuation.
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https://www.computer-dictionary-online.org/definitions-n/network-extensible-window-system.html
(NeWS) An elegant PostScript-based windowing environment, invented by James Gosling, the author of GOSMACS. NeWS would almost certainly have won the standards war with the X Window System if it hadn't been proprietary to Sun Microsystems. There is a lesson here that too many software vendors haven't yet heeded. Communication is based on PostScript and server functions can be extended.
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http://moviescoremedia.com/screamworks/the-hallow-james-gosling/
James Gosling’s Screamfest Award-winning score to The Hallow is the first addition to the ScreamWorks Records catalogue in 2016. Co-written and directed by Corin Hardy, The Hallow is set in the misty woods of Ireland, a spooky and incredibly effective setting that’s a character in its own right. The film tells the tale of a family who move into a remote mill house just to find themselves in a fight for survival with demonic creatures living in the forest. The Hallow collected three awards at the Toronto After Dark Film Festival (including Best Horror Film) and swept five awards at the 2015 Screamfest (including one for Best Original Score). The score to The Hallow is a musical journey that follows the emotional trajectory of our central characters Adam, Claire and their newborn baby” explains composer James Gosling about his approach to the film. It begins with the setting of the tone and place – the uncertainty of unfamiliar Irish shores. The score gradually helps to further fray the nerves as the local villagers make it clear their presence is unwelcome, until finally, and without giving too much away, we are embroiled in a tale of terror and sacrifice, and of love versus evil.” The Screamworks album also features the eerie song ‘The Woods’ performed by Sea Read. Composer James Gosling completed his masters in ‘Music for the Screen’ at the National, Film and Television School in Beaconsfield. After graduating from the NFTS, he went on to assist Rob Lane on projects like the HBO mini-series John Adams, BBC’s flagship fantasy-adventure series Merlin, and it’s successor Atlantis. Currently splitting his time between the UK and France, James is now working on Lego’s recently announced animation series Nexo Knights. MovieScore Media’s previous releases of Rob Lane’s Merlin series include selected cues from Gosling as well.
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https://www.brantb.com/2010/
A recent blog post from James Gosling starts a new t-shirt campaign to free Java to and turn the JCP into a real vendor neutral standards organization. Ironically, this idea was originally proposed by Oracle in 2007. It's also been announced by Josh Bloch that Google is boycotting JavaOne this year. I hope this whole mess gets resolved soon.
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http://www.cramerz.com/java/java_history/
James Gosling, the father of Java, was intent on building a low-cost, hardware-independent software platform using C++. For a number of technical reasons, C++ was dropped, and a new language, called Oak, was developed, based on C++, but eliminating its shortcomings. These shortcomings include problems associated with multiple inheritance, automatic type conversion, the use of pointers, and memory management.
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http://www.taylortree.com/2006/07/interview-of-programming-greats.html
TaylorTree: Interview of Programming Greats! A really cool interview of several of the great programmers of our time: Linus Torvalds, Guido Van Rossum, James Gosling, etc. Read here. They answer questions in regard to what they feel is the next big thing, what new technology they feel is worth learning, what makes programmers productive, etc. Really great interview. Check it out.
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https://houseofhaug.wordpress.com/2005/06/28/feast-or-famine/
JavaOne 2005, Day 2. I slept in and missed the opening General Session. No huge loss, though I caught the tail end on the huge monitor showing it outside the room. Apparently Scott McNealy gave James Gosling a Java Lifetime Achievement Award, which I’m pretty sure he referred to as a “Dukey”. Now, I realize that “Duke” is the name of the blob known as the Java mascot, but to give someone as esteemed as James Gosling anything that sounds like “dookie” is really unfortunate. But I digress. Seeing as how I skipped the general session, I didn’t think missing the first round of technical sessions didn’t seem like much of a sin, especially since there wasn’t anything in them that sounded particularly compelling to me. But then the second round had 4 different sessions I would’ve been happy to sit thought. Such is the story of my current JavaOne experience; any particular round is likely to have either nothing of interest, or multiple sessions I wouldn’t want to miss. I had to make a difficult choice for this second round, day 2. Rod Johnson, whom I have a bit of a mancrush on, was giving his Spring talk. I’ve never heard this talk, but I don’t think an introduction to Spring would’ve been the best use of my time (if only he’d been speaking in the first round!). So instead I’m listening to a talk on Enterprise Service Busses and SOA. It’s already started, so I should stop blogging.
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http://cutedgesystems.com/weblog/index.php?entry=/Commentary/industryicon.txt
"It's not everyday that you get to meet an industry icon," says the Sun guy on the stage. So we welcome James Gosling to Singapore for Sun Tech Day. Note that PowerBook, below. It has done more than anything Apple could do to make using a Mac cool among the Java crowd, judging by the interest shown by the visitors to the Apple booth.
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https://www.mediapost.com/publications/article/133787/oracle-sues-google-based-on-java-patent.html
Oracle took a swipe at Google suing the Mountain View tech company over patent and copyright infringement relating to the Android mobile operating system. The complaint suggests Google infringes on seven patents, one written by James Gosling, known as the father of Java. Oracle gained the patents with the acquisition of Sun Microsystems. Oracle claims the patent "directly and repeatedly infringed Oracle's Java-related intellectual property."
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http://emulinks.de/index.php?category=109
Interview with Dennis Ritchie, Bjarne Stroustrup, and James Gosling. From Java Report. This paper covers the history and use of comments in programming languages, from the beginning of programming to the present day. By Dennie Van Tassel. History of the Ada programming language. Brief rundown by Juan Soulie. See what The Register could find out about the remains of the Altair BASIC sources.
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https://www.thebottlebank.co.uk/producer/goslings-rum/
In the spring of 1806, London wine & spirits merchant James Gosling set out from England aboard the chartered clipper Mercury with 10,000 dollars of merchandise bound for the Virginias. The voyage was a difficult one. Ninety-one consecutive days of calm left the crew and passengers in dire straits and the charter of Mercury was fast running out. The ship eventually made port in St. Georges, Bermuda, where Gosling and his family decided to set up shop rather than press on to America. James Gosling opened a shop on King’s Parade, St George’s in December 1806. In 1824 James returned to England and his brother Ambrose moved the business to Front Street in the new capital, Hamilton. In 1857 the firm was renamed Gosling Brothers by Ambrose’s sons. Three years later the first oak barrels of rum distillate arrived in Bermuda and three years after that (after much trial and error) the distinctive Bermuda black rum destined to be Black Seal was formulated and offered for sale. They didn’t call it Black Seal at first. In fact, up until the First World War it was sold straight from the barrel, and most folks brought in their own bottles for a “fill up”. Eventually the black rum was sold in champagne bottles, reclaimed from the British Officer’s Mess, and the corks sealed with black sealing wax. Pretty soon people began to ask for the bottle with the “Black Seal”. Many years later the idea of the iconic barrel juggling “Black Seal” was born.